بودا در اتاق زیر شیروانی

Julie Otsuka’s long-awaited follow-up to When the Emperor Was Divine is a tour de force of economy and precision, a novel that tells the story of a group of young women brought from Japan to San Francisco as “picture brides” nearly a century ago.In eight incantatory sections, The Buddha in the Attic traces the picture brides’ extraordinary lives, from their arduous journey by boat, where they exchange photographs of their husbands, imagining uncertain futures in an unknown land to their arrival in San Francisco and their tremulous first nights as new wives to their backbreaking work picking fruit in the fields and scrubbing the floors of white women to their struggles to master a new language and a new culture to their experiences in childbirth, and then as mothers, raising children who will ultimately reject their heritage and their history to the deracinating arrival of war.